Curated by David Evans Frantz, Hannah Grossman, and Simone Krug

Seduction of a Cyborg 
October 7–23, 2016
Opening Reception: October 8, 7-10pm

Human Resources Los Angeles
410 Cottage Home Street
Los Angeles, CA 90012

Exhibition hours: Wednesday-Sunday, 12-6pm
Free and open to the public.

Seduction of a Cyborg explores intimacy, sex, and desire as related to technocratic fantasies of futurity, (re)production of bodies, and fractured selfhood in the digital age. The fictional and the virtual intersect, exposing narratives that activate, transform, and deconstruct our understanding of the networked and plugged-in subject. The exhibition springs from an engagement with the work of Lynn Hershman Leeson, a foundational feminist artist whose work has explored selfhood and technology for over fifty-years. The exhibition places special focus on Hershman Leeson’s feature-length film Teknolust (2002), in which a female bio-geneticist downloads her own DNA to produce cyborgnetic clones that subsist on sexually obtained Y-chromosomes and act as “portals” on the internet where users fulfill fantasies and dreams.

Seduction of a Cyborg considers this and other early works by Hershman Leeson as a point of inception in examining a range of practices by artists, which include video, photography, installation, and web-based projects. The exhibition presents historical and contemporary works that call on critical ideas of and around technofeminism, queer theory, and disembodiment. The erotic innuendo inherent in the politics and possibilities of nascent technologies, as well as a longing for an era of low-fi and analogue, mark points of interest that extend from the 1990s to today. Other works realize fantastical and futuristic (gender) identities, presenting body parts that have been biotechnologically produced and avatar identities that assume mutable identities online. In the realm of the virtual, the imaginary knows no limits.

Artists in the exhibition include: Sadie Benning; Hannah Black; Johanna Breiding; Shu Lea Cheang; Linda Dement; Ricardo Dominguez, Francesca da Rimini, and Michael Grimm; Deanna Erdmann; Lynn Hershman Leeson; Faith Holland; Juliana Huxtable; Martine Neddam (Mouchette); Alexei Shulgin; Vertical Blanking (Kim McKillip and Michael J. Masucci); and Pinar Yoldas.

Seduction of a Cyborg is curated by David Evans Frantz, Hannah Grossman, and Simone Krug, 2017 MA Candidates in Curatorial Practices and the Public Sphere Program at the USC Roski School of Art and Design.

The exhibition will be on view at the Human Resources Los Angeles located at 410 Cottage Home Street, Los Angeles, CA 90012. Gallery hours are Wednesday through Sunday, 12-6pm, October 7 – 23, 2016. An opening reception will be held on October 8 from 7-10pm.

A screening of Lynn Hershman Leeson’s film Teknolust (2002), presented in collaboration with a shorts program curated by Dirty Looks LA, will be held on Sunday, October 16 from 6-8pm.

Program Information: The MA Curatorial Practices and the Public Sphere is an intensive Master's-level program in the practice and history of curating studied through the lens of critical theory and the history of art. With a focus on the research and exhibition of contemporary art, as well as attending to art historical curating and broader conceptions of curating such as performance art programming, instructors with international careers lead students in asking social questions about the exhibition of art (broadly construed) in relation to its publics. Over two years of full-time academic study, students explore modes of curatorial practice in a curriculum combining seminars and professional training. Courses are led by USC Roski's internationally acclaimed faculty, which includes renowned artists, scholars, critics and curators. For questions about the program, please contact mapublic@usc.edu.